But not everything expressed in words—even when organized and written down—is counted as literature.
The play opens with the chorus reciting a poem. Then, in the opening dialogue, Shakespeare spices his writing with puns and double-entendres, as when the servants Sampson and Gregory make veiled sexual references: The quarrel is between our masters and us their men.
The heads of the maids? Ay, the heads of the maids, or their maidenheads; take it in what sense thou wilt.
Mercutio, a brilliant punster and shaper of imagery, uses his way with words to criticize the stupidity of the feuding families and the folly of blind passion.
Sometimes, a single passage he speaks contains a gamut of language devices. Note, for example, the following prose passage, spoken when he sees Romeo approaching. Now is he [Romeo] for the numbers [poems] that Petrarch flowed in: Signior Romeo, bon jour!
Perhaps the most famous oxymoron in the play is the one occurring in the last two words of this line: An oxymoron consists of two contradictory words occurring one after the other.
A paradox consists of contradictory words separated by intervening words. In the second scene of Act 3, when Juliet criticizes Romeo for killing Tybalt while praising him as her beloved, she manages to squeeze in six oxymorons and four paradoxes: Beautiful tyrant oxymoron, line 80 Fiend angelical oxymoron, line 80 Dove-feather'd raven oxymoron, line 81 Wolvish-ravening lamb oxymoron, line 81 Damned saint oxymoron, line 84 Honourable villain oxymoron, line 84 Despised substance of divinest show paradox, line 83 Spirit of a fiend in moral paradise of such sweet flesh paradox, lines Book containing such vile matter so fairly bound paradox, lines Deceit should dwell in such a gorgeous palace paradox, lines Examples of Other Figures of Speech Alliteration Alliteration is the repetition of consonant sounds at the beginning of syllables, as indicated by the boldfaced letters below.
Bid a sick man in sadness make his will 1. Therefore, she does not alliterate with stay and siege. These griefs, these woes, these sorrows make me old. Here is an example in which Juliet addresses the night.
Come, civil night, Thou sober-suited matron, all in black. Use of bite and like in a line of poetry constitutes assonance. Like repeats the "i" sound of bite but not the consonant sound "t" that follows the "i.
When he bestrides the lazy-pacing cloud 2. In simpler terms, the audience or reader is aware of a plot development of which a character is unaware. An example of this figure of speech occurs in the fifth scene of Act 3 lines when Juliet pretends to her mother that she hates Romeo for killing Tybalt and that she desires vengeance.
In Shakespeare’s Macbeth, the title figure of the play can be seen as a tragic hero. Early on in the play, Macbeth is established as being of great stature. He has already earned the title of Thane of Glamis, and as prophesized by the three witches, will soon take reign as the Thane of Cawdor. This lesson will cover the reason why Macbeth from Shakespeare's famous play, ''Macbeth'', is a debated tragic hero. We'll explore the argument that shows he is a tragic hero by proving his. Allusions are used by authors as metaphors or similes. In his play 'Macbeth,' William Shakespeare uses many allusions to add description. In this.
The audience well knows, of course, what Lady Capulet does not: Another example occurs when Romeo sees the body of Juliet at the Capulet tomb site. He believes she is dead, although he notices that her face is still lifelike. Metaphor A metaphor is a comparison between unlike things.
In making the comparison, it does not use like, as, or than. Note the following examples. Some apostrophes are also personifications. Following are examples of personification from Romeo and Juliet. This comparison is also an example of apostrophe. Shakespeare was particularly adept at creating vivid imagery.
Light and Darkness Perhaps the most memorable imagery in the play centers on figures of speech involving light and darkness.
Following are examples of such imagery.
There are two paradoxes: It is the east, and Juliet is the sun. Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she.“Power tends to corrupt and absolute power corrupts absolutely.” (John Dalberg-Acton, 1st Baron Acton) It is in human nature that the more power one desires the more corrupt actions one must do to attain it.
In Shakespeare’s tragedy of Macbeth, a Scottish noble's craving for power leads him to. The Tragedy of Macbeth by William Shakespeare - He strives for power and to be more significant in his story. However, even though a tragic hero needs to .
Literature: Literature, a body of written works. The name has traditionally been applied to those imaginative works of poetry and prose distinguished by the intentions of their authors and the perceived aesthetic excellence of their execution.
It may be classified according to a variety of systems, including language and genre. In Shakespeare’s Macbeth, the title figure of the play can be seen as a tragic hero.
Early on in the play, Macbeth is established as being of great stature. He has already earned the title of Thane of Glamis, and as prophesized by the three witches, will soon take reign as the Thane of Cawdor. the art and theory of writing and producing tragedies.
any literary composition, as a novel, dealing with a somber theme carried to a tragic or disastrous conclusion.; the tragic or mournful or calamitous element of drama, of literature generally, or of life.
Enjoying "Oedipus the King", by Sophocles Ed Friedlander MD [email protected] This website collects no information. If you e-mail me, neither your e-mail address nor any other information will ever be passed on to any third party, unless required by law.